How we read

A virtual room of readers — trained by real executives and creatives — that simulates the Hollywood process for you.

The Read Before isn’t a chatbot pitching bad ideas or flattering you. It’s a series of AI agents who each read, react, and weigh your script the way producers, actors, directors, and studio executives are going to. They’re trained to act like their real-world counterparts, serving their own commercial interests — so you get the most honest, straightforward feedback.

This isn’t meant to replace the real-world people or processes; it just gets you ready for them like nothing else can.

The four reads you'll face.

Each answers one question, delivers a verdict, and tells you what to address before moving onto the next phase.

Read One Producer Interest Is there enough here for a producer to fall for it — to option it on instinct and fight for years to get it made?

Read Two Creative Attachments Are the leads rich enough to draw real talent — and is there a movie here a director can see?

Read Three Studio Development Is it commercial enough — and are the pages good enough — for a studio to invest time and money in it?

Read Four Greenlight Committee The hardest read in the building: getting the powers-that-be to write the big check. Is the script great, is the concept commercial enough, and can we make this at the right number?

Each reader reads your pages through their own lens and reaches their own verdict. Your project moves forward only when you’ve earned it.

The Read Before won’t pat you on the back. The real world won’t either.

Reads One and Two take a treatment, partial pages, or a full script; Three and Four need a full screenplay, 90+ pages.

The reads also help define what your film realistically is:

Budget
Genre
Tier (main studio, genre label, specialty division, or streaming platform)
Level of talent it can attract

So the notes are the ones your project would really get, not generic coverage.

And at the end, the "producer" gives it to you plainly: send the script out, polish it as a sample, or set it down and focus on the next thing. It’s honest about what it can’t see, then hands the call to you.